Hollywood has proven time and time again that it is devoid of original ideas. Old movies, TV shows, cartoons, graphic novels, and even toys have been the basis for many of the industry’s most recently anticipated releases. And the American public is buying it, because so far in 2009 seven of the top 10 highest grossing films are sequels or remakes. Normally here at DSB, we are vehemently against the concept…but there are definitely movies that weren’t artistically or financially successful and in our opinion deserve a re-telling and a second audience. Here are DSB’s Not Quite Top Ten Top Ten of Movies that Should be Remade (** Synopses from Rotten Tomatoes).
10. Labyrinth
Synopsis: Fifteen-year-old Sarah (Jennifer Connelly) is so resentful of her baby brother Toby that she hopes he will just disappear. Her dream becomes reality when goblins kidnap the boy, but Sarah unexpectedly finds herself horrified by the loss. So she sets forth to retrieve him, and finds herself on the adventure of a lifetime. To accomplish her task, she will somehow have to reach the center of the fantastical labyrinth where the wicked Goblin King (David Bowie) has imprisoned the lad. But the task is easier said than done, for the maze is filled with strange creatures and mind-bending puzzles that confuse the girl.
DSB: I still remember going to see this movie on its opening weekend back in 1986 and walking out of the theatre stunned at how disappointing and crappy the movie was to watch. The premise is promising but writer/director (and usual genius) Jim Henson relied too heavily on his puppets and two songs (?!?) performed by Bowie. Points also need to be taken away for Connelly’s homely appearance that would come 5 years before her bust out role in Career Opportunities (pun clearly intended).
Who should helm the remake? After conjuring and populating the fantasy worlds of Hellboy and Pan’s Labyrinth, Guillermo del Toro is the perfect director to bring the Goblin King and his empire back to a Cineplex near you.
9. The Secret of NIMH
Synopsis: An exquisitely drawn, colorfully animated feature about Mrs. Brisby, a brave mother field mouse who struggles to save her family’s home from a farmer’s plow. She soon discovers she needs the help of the strange, intelligent rats who live beneath the nearby rosebush in an intricate city. But when the timid but determined Mrs. Brisby discovers the astounding wonders of NIMH, it could change her life forever. From the Hitchcockian flashback sequence revealing the rats’ secret to the moral questions raised about animal testing, this film is a beautiful example of how animation can expertly tell a gripping story while still remaining appropriate and entertaining for children.
DSB: As a kid, I really liked this movie (and the book it was based on), but with the technological advancements these days a live action version could be compelling in the already oversaturated family-friendly market.
Who should helm the remake? Given his success adapting a literary classic while combining live action and computer animation for Charlotte’s Web, Gary Winick seems like the ideal candidate. He might welcome a return to this palette as he also helmed the recent stinkbomb, Bride Wars.
7. Something Wicked This Way Comes
Synopsis: When two boys become involved in the evil plans of Mr. Dark, a magical carnival owner (Jonathan Pryce), they find themselves in danger and responsible for the survival of their entire town! Mr. Dark has a devilish ability to grant wishes, which he uses to his advantage. When he realizes that the boys have discovered his secret, he sets about tracking them down, along with the creepy Dust Witch (Pam Grier).
DSB: The Disneyfied version of the Ray Bradbury novel was actually darker than the Mouse House had been in many of its movies up to that point. However, I think it’s possible to amplify the shadowy elements and sinister tone of the novel and gain the tween audience currently interested in Harry Potter and Twilight.
Who should helm the remake? Tim Burton seems to have two styles for his films: dark or vibrant. Typically, Burton’s best work is in his exploration of the dark elements of a story (see Sleepy Hollow, Ed Wood, Sweeney Todd) as opposed to bright and vibrant (Charlie and the Chocolate Factory, possibly Alice in Wonderland?). Plus, with Burton on board you can all but pencil Johnny Depp in to fill the shoes of Mr. Dark.
6. Capricorn One
Synopsis: In order to protect the reputation of the American space program, a team of scientists stages a phony Mars landing. Willingly participating in the deception is a trio of well-meaning astronauts, who become liabilities when their space capsule is reported lost on re-entry. Now, with the help of a crusading reporter, they must battle a sinister conspiracy that will stop at nothing to keep the truth a secret.
DSB: In today’s age of the relentless 24-hour news cycle and corporate mistrust, this story is more relevant and important today than it was back in its 1978 release.
Who should helm the remake? If you’ve seen the superb thrillers Breach or Shattered Glass, you know that director Billy Ray excels at presenting fear and paranoia on the silver screen. Ray could take this concept and make it his own.
4. Phantasm
Synopsis: Mike, a young teenage boy who has just lost his parents, is afraid to lose his brother. This fear causes him to follow his brother to a funeral, where Mike witnesses the Tall Man lift a coffin on his own. Mike heads to the grounds of the mortuary, which is home to very bizarre happenings, including a unique security device. Enlisting the help of his brother Jody and ice cream salesman Reggie, Mike attempts to vanquish the Tall Man.
DSB: Considering they’re remaking every horror movie under the sun, I’m a little surprised Phantasm hasn’t gotten the treatment yet. Quite honestly, this movie freaked me out a lot and part of its charm was its low budget feel.
Who should helm the remake? I think a remake could find mainstream success if it would explore the aspects of a psychological thriller more than becoming a bloodfest. Director Gore Verbinski previously mined the same territory in The Ring and he would do an excellent job with this storyline.
2. The Last Starfighter
Synopsis: Teenager Alex Rogan lives and works in the trailer-park that his mother owns. His life consists of contemplating his rather bleak future, and waiting for word on his college loan application to arrive. One night, all of this changes forever. Alex possesses an extraordinary skill at video games, and when this skill attracts a space-travelling recruiter looking for pilots to protect the galaxy from outside forces, he suddenly finds himself on another planet in the middle of an inter-galactic war. It seems that his game-playing abilities are an invaluable military asset to the embattled “Star League of Planets.”
DSB: When this movie was released 25 years ago, videogames were just starting to find a foothold in homes. The advancement of the graphics, connectivity to the web, and game interactivity have made videogaming even more realistic than ever before. Technology has allowed every kid in America to picture himself in the game and that is a built-in audience that would connect with this story.
Who should helm the remake? Marc Forster has piloted very diverse movies in his career. Combining the personal storytelling found in Monster’s Ball or The Kite Runner with the fantasy facets of Finding Neverland and the action sequences of Quantum of Solace, Forster is the right man to bring all of those elements together in one film.
1. Flash Gordon
Synopsis: New York football star Flash Gordon vaults into outer space to battle the nefarious Ming, supreme ruler of the planet Mongo. Ming intends to conquer planet earth, and hunky Flash teams up with several of his daring female admirers, as well as the brilliant Dr. Zarkov, in an effort to thwart the monomaniacal evil-doer.
DSB: In a day when every comic book character is getting a movie, Flash Gordon needs to be revisited. The 1980 original turned the volume up to 11 on the camp value and the corresponding rock opera by Queen. The movie’s ambitious intentions were let down by the cheesy and subpar special effects.
Who should helm the remake? As the mastermind behind the Evil Dead films, Sam Raimi knows a little something about walking the fine line around campy silliness. His further experience with the Spider-Man series makes him the perfect director to re-boot Flash into a potential franchise.
Thanks for coming and suckling on Daddy’s Sugar Ball…
Max Power